Manchester School of Architecture: Portfolio

Ever since I began the thought of studying architecture, my mind often hovered over the universities in the UK. Part of the reason is because I want to expand my cultural exposure to outside of Asia, and another is my innate identity to the UK from growing up in Hong Kong. I chose the Manchester School of Architecture as my top choice because its course design is exactly the way I want to pursue my studies in Architecture. I want to first develop a way of thinking and unique perception of architects, then to continue further studies through project studios and research – such course design was not found in any other universities.

A photograph I took of the Seed Cathedral and its surrounding space.

During the summer of 2010, I had the privilege of visiting the Shanghai World Expo just outside of my doorstep. The Seed Cathedral (British Pavilion) was definitely an eye-opener for me. In contrast with other big pavilions such as Germany’s Balancity or Switzerland’s cable car, the Seed Cathedral used purely simplicity in its design and was somehow able to catch my attention the most. The use of purely glass fibre on the façade gave a rather gentle feeling like that of a dandelion instead of an aggressive effect. Also, the surrounding was a large vacant area covered with light grey artificial grass on slopes. As I lay down on one of the slopes and gazed back at the pavilion, the tranquillity of the overall ambiance highlighted this architecture to me.

Long before I started applying to universities, I watched a documentary series on architecture and cultures. My most memorable episode was about architect Sir Norman Foster’s design of the Milau Viaduct and the London Millennium Bridge. I admire Foster’s architectures because he puts great emphasis on the engineering perspective and incorporates the structural elements as part of his designs, creating modern, complex, and aesthetically pleasing architectures. Foster + Partners was also the chief architect group that designed the Hong Kong International Airport, a world-class airport and one that I identify as home. Also to my utmost surprise while I was researching about the university, Sir Norman Foster was one of the notable alumni of the Manchester School of Architecture; that became my final confirmation to study here.

Casa Malaparte (Image from: VestalDesign.com)

There are numerous works of architecture that I would like to experience in person because pictures on the Internet or books can never convey the accurate ambiance created by a building. One of the works I would love to visit is Casa Malaparte, designed by Adalberto Libera. When I was first introduced to it, I was intrigued by its sharp color and shape contrast with the cliff site. I thought the placement of the staircase and rooftop usage was a very unique design, somehow unexplainably different from that of other typical buildings. I want to visit Casa Malaparte to experience what architect Libera’s intention was when he decided to place the white descending wall on the rooftop, and designed every other aspect of the building.

Cityscape

This is a vision to travel around the world and capture every site in a single glance. This drawing depicts the merging of famous landmarks into a single city, uniting the past and present, western and eastern together.

Photography

A different look at a cable tower. Fascinated by structures and physics, I was truly amazed when I stood beneath a cable tower and looked up for the first time. 

Corner façade of the Greenland Group Building. I found the straight metal complex contrasted very well with the curvy inner façade. The shadow of the light through the glass alignment gave an interesting depth to the physical appeal of the building.

Lupu Bridge. Taken from the coastline on the Puxi side of HuangPu River. The Shanghai World Expo site could be seen on the Pudong coast (under the bridge).

Quick Freehand Sketches

Examples of some freehand sketches I’ve done during my visits to two major architectural sites: the Suzhou Museum, designed by IM Pei, and Shanghai’s famous 1933 Slaughterhouse.

Chinese Calligraphy

Spending the last few years in Shanghai, I’ve learned many traditional Chinese cultures in history, customs, language, etc. One of my favorite things is Chinese calligraphy. This is a landscape I drew of China’s famous Karst Mountains and surrounding ancient architecture, using traditional rice paper, ink, and ink brush.

Perspective City

This is a two-point perspective drawing of a cityscape; some scales were brought out of proportion to bring the ground life of the city alive.

Stocking Sculpture

This is a sculpture made by bending a clothes hanger into a random form, then wrapping the hanger with a stocking. After pushing and pinching the stocking arrangement, I pasted a layer of white gel to harden the shape and spray-painted the sculpture. This specific shape has a large overhead shell forming multiple enclosures underneath and the colors contrast on different corners of the sculpture brings various emotions to each angle.

School in Hundertwasser

Friedensreich Hundertwasser has a very unique style both in his painting and architecture. His usage of sharp colors and irregular shape mosaic creates a rather playful and lively atmosphere. In this piece, I imagined my school's architect was Hundertwasser himself and tried to convert the patterns and colors into his very own trend,

Impossible Building

Original 2D Drawing

Optical Illusions are made from manipulation of lines and shadow in 2D drawings. With perspective stretching (as done in most 3D street art), I attempted to create a 3D optical illusion standing on top of a piece of paper.

3D Effect (viewed from an angle)

Connectivity

This is a model I made during Career Discovery in Architecture (a summer camp with the University of Hong Kong). The assignment's objective was to define a space in an imaginary volume about the size of a cargo container, using 7 planes of cardboard only. I experimented with the various shapes each plane could make and employed "futuristic" forms to convey the theme of connectivity, through the endless cycle created by the planes.